



Mother embraces her child, Guatemala 1975
David Alan Harvey




The Roma Journeys, 2000–2006
Joakim Eskildsen




Pollenarbeit NR 264, 2010
Sati Zech



The River Thames Buttons Collection




Collection of Woven Textile Swatches


Robin Williams, 1979
Ron Galella





1-2-3 schilderij (3e versie), 1987
Fons Haagmans

Gadjo Dilo (The Crazy Stranger), 1997
Tony Gatlif



Les Annees de Fer Londres, 1981
Yan Morvan


Woodland Medal Brooch,
Little Peche Goods








Quilt #17 Construction Series, 1995
Nancy Crow

Gadjo Dilo (The Crazy Stranger), 1997
Tony Gatlif







Better Living With Alpacas, 2019
Daniel Gebhart de Koekkoek

The grotesque joy of something imperfect — and radiant because of it.
A spirit patched from youthful yearning.
A rebellious wanderer in well-worn clothes.
Frayed cuffs, a parents jacket, shoes softened by distance.
A sun-warmed trinket stitched beneath the collar.
The weight of longing, carried lightly, with warmth.
Heritage punk. Built from memory and resilience.
Check on check. Stripes over florals. Frills and layers.
Careless collisions — shirts over dresses, coats over knits, hems uneven, sleeves rolled.
A badge, a medallion, ticket stubs, stones, a drawing tucked into a sleeve.
Notes scribbled in pockets, postcards never sent.
Fabrics remembered. Stories worn.
Sunsets and countryside joy.
Colours that don’t agree but still hold together.
Llamas — awkward, proud, absurdly gentle.
The silhouette spins — unmeasured, radiant, unfinished.
Monstrous in its romance.
Playful in its rebellion.
Not costume, but memory.
Not nostalgia, but return.
The feeling of finding what you didn’t know you lost.
Villages. Dancing. Old radios. New rhythms.
Hope without asking.
Sunrise after silence.
Togetherness.
A memory in motion, turning toward the light.